faintly washing tide was deepened by the
way each wave or row in turn fell back to make room for the next,
after four changes from foot to foot, during which they advanced ever
so slightly up the ground towards the high estallage of the ancestors.
Their eyes were cast down all the time. Only occasionally, as one
row fell back to give way to the next, was there a faint smile in
passing. When all had filled the front row in turn, they went forward
together and grouped themselves round the women standing in front
of the high altar. The ancient iron gamelan selaoending played a continuous
slow melody while they danced.
The equally lovely Redjang at Tenganan is also danced with linked
sashes, and the dresses are scarcely less beautiful, though less sumptuous.
Some of the dancers also wear long golden nails fixed to their finger-tips.
A special feature, perhaps peculiar to Tenganan, is that each age
dances in a separate file, down ' to the very tiniest girls, who are
minute versions in every respect of their elders, learning gradually
by imitation how to perfect their steps.
Mendet at Asak
|
